Chick Flicks: The 25 Highest-Grossing Movies with Female Leads

Let’s compare and contrast two lists today: the 25 top grossing movies of all time, and the 25 top grossing female-led movies of all time. Maybe when all this is done we’ll learn a little something about women’s representation in the media. Probably not though! You want to learn facts, go watch Bill Nie.

Okay, first, the easy part. Movies that pass the Bechdel test (meaning that two female characters with names talk to each other about something other than a man) are bolded.

The 25 Top Grossing Movies of All Time (U.S. Box Office)

1. Avatar (starring Sam Worthington) [$760,505,847]

2. The Avengers (starring Robert Downey, Jr.) [$615, 996,809]

3. Titanic (starring Leonardo DiCaprio) [$600,779,824]

4. The Dark Knight (starring Christian Bale) [$533, 316, 061]

5. Star Wars (starring Mark Hamill) [$460, 935, 665]

6. Shrek 2 (starring Mike Meyers) [$436,471,036]

7. E.T.: The Extra-Terrestrial (starring Henry Thomas) [$434,949,459]

8. Star Wars: Episode I – The Phantom Menace (starring Ewan MacGregor) [$431,065,444]

9. Pirates of the Caribbean: Dead Man’s Chest (starring Johnny Depp) [$423,032,628]

10. Toy Story 3 (starring Tom Hanks) [$414,984,497]

11. The Hunger Games (starring Jennifer Lawrence) [$405,882,323]

12. Spider-Man (starring Tobey Maguire) [$403, 706,375]

13. Transformers: Revenge of the Fallen (starring Shia LeBeouf) [$402,076,689]

14. Harry Potter and the Deathly Hallows: Part 2 (starring Daniel Radcliff) [$380,955,619]

15. Star Wars: Episode III – Revenge of the Sith (starring Hayden Christensen) [$380,363,555]

16. The Lord of the Rings: The Return of the King (starring Elijah Wood) [$377,019,252]

17. Spider-Man 2 (starring Tobey Maguire) [$373,377,893]

18. (Info not available! Does this pass?) The Passion of the Christ (starring Jim Caviezel) [$370,270,943]

19. Jurassic Park (starring Sam Neill) [$356,784,000]

20. Transformers: Dark of the Moon (starring Shia LaBeouf [$352,358,779]

21. The Lord of the Rings: The Two Towers (starring Elijah Wood) [$340,478,898]

22. Finding Nemo (starring Albert Brooks) [$339, 714,367]

23. Spider-Man 3 (starring Tobey Maguire) [$336,530,303]

24. Alice in Wonderland (starring Mia Wasikowska, Johnny Depp top billed) [$334,185,206]

25. Forrest Gump (starring Tom Hanks) [$329,691,196]

So, in terms of lead actors, that is one homogenous-ass list. Only two of these movies have female main characters (The Hunger Games and Alice in Wonderland) and only one of those two gave top billing to a woman. Only two of them (Toy Story 3 and Finding Nemo) star actors who were age fifty or older at the time the movie was made, and both of those are animated, because who wants to look at crow’s feet, am I right? None of them star an out actor, which is a shame but not too surprising. What is more surprising is that none of them star an actor of color, either! What? Come on, America. You’re killing me here. Only 2/5 of them pass the Bechdel test, which is extra depressing when you think about how low a bar the Bechdel test actually sets. Seriously, all that has to happen is an interaction like:

Mary-Jane: Good morning, Aunt Mae. How are you?

Aunt Mae: Fine. Nice weather we’re having.

Mary-Jane: Yep! Well, see you later.

THAT WOULD GET YOU A PASSING GRADE ON THIS DAMN TEST. And less than half of these movies have even THAT level of female representation. Grim.

Now, moving on to the 25 top grossing female-led movies of all time!

It was a little difficult to pin down what makes a movie female-led. For instance, Tilda Swinton got top billing on The Lion, the Witch and the Wardrobe, but she really can’t be described as the lead– the three children (only one of whom is female) seem to share that title equally. Hayley Steinfeld clearly played the protagonist of True Grit, but Jeff Bridges got top billing. Similarly, Mia Waskowska played the clear protagonist and title character of the 2010 Alice in Wonderland reboot, but Johnny Depp got top billing and was more prominently featured in the ad campaign. It’s a tricky business,  but, for my purposes, I’ve decided to only count a movie as female-led if (what I consider to be) the film’s protagonist is female, and a female also received top billing.

Once again, bolded movies pass the Bechdel test.

1. The Hunger Games (starring Jennifer Lawrence) [$405,227,711]

2. The Twilight Saga: Eclipse (starring Kristen Stewart) [$300,523,113]

3. New Moon (starring Kristen Stewart) [$296,619,304]

4. (? Anybody know whether this one passes Bechdel?) Twilight Saga: Breaking Dawn Pt. 1 (starring Kristen Stewart) [$281,275,991]

5. The Blind Side (starring Sandra Bullock) [$255,950,375]

6. Twister (starring Helen Hunt) [$241,688,385]

7. My Big Fat Greek Wedding (starring Nia Vardalos) [$241,437,427]

8. The Exorcist (starring Ellen Burstyn) [$204,565,000]

9. Brave (starring Kelly Macdonald) [$208,774,173]

10. Tangled (starring Mandy Moore) [$200,807,262]

11. Monsters Vs. Aliens (starring Reese Witherspoon) [$198,332,128]

12. Twilight (starring Kristen Stewart) [$191,449,475]

13. Snow White and the Seven Dwarfs (1937) (starring Adriana Caselotti) [$184,925,485]

14. Beauty and the Beast (1991) (starring Paige O’Hara) [$171,301,428]

15. Chicago (starring Renee Zellwegger) [$170,684,505]

16. The Help (starring Emma Stone) [$169,705,587]

17. Bridesmaids (starring Kristen Wiig) [$169,076,745]

18. The Proposal (starring Sandra Bullock) [$163,947,053]

19. The Sound of Music (starring Julie Andrews) [$163,214,286]

20.(? Not sure if this one passes, either.) Scary Movie (starring Anna Faris; Carmen Electra top billed) [$156,997,084]

21. Sex and the City (starring Sarah Jessica Parker) [$152,637,269]

22. Snow White and the Huntsman (starring Kristen Stewart) [$152,589,315]

23. Lilo & Stitch (starring Daveigh Chase) [$145,771,527]

24. Mamma Mia! (starring Amanda Seyfried; Meryl Streep top billed) [$143,704,210]

25. Juno (starring Ellen Page) [$143,492,840]

First, the good news: 19 of these 25 movies passed the Bechdel test. I guess that’s not surprising since if your main character is a lady it’s a lot easier to slip up and accidentally have her talk to another lady about, you know, lady-stuff, whatever that is.

But once again, zero people of color, zero out actors, and this one only has one top-billed actor over age fifty: Ms. Meryl Streep in Mamma Mia! At least she got to actually appear on screen, unlike Hanksy and Brooksy.

It’s also a little disheartening to look at the amount of money these movies made. Avatar, the top-grossing movie of all time, made a little less than twice what The Hunger Games, the top-grossing female-led movie made, and #25 on the female-led list (Juno) made about a third the amount earned by #25 on the general list (Forrest Gump).

I’d love to hear any analysis any of my readers might have of these numbers. I’m but one human, and I don’t really know what to make of these statistics I have gathered!

Part 2: The 25 Highest-Grossing Movies Starring People of Color coming soon!

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The 50 Best Songs of the Past 5 Years

In your perusing of this list, you may notice that I have defined the past 5 years as 2007-2011, seemingly disregarding the current year all together. The reason for this is simple: I can’t do math. Oh, well. There probably haven’t been any good songs this year anyway.

50. “&” – Tally Hall (Good & Evil)

49. “Na Na Na Na (Na Na Na Na Na)” – My Chemical Romance (Danger Days: The True Lives of the Fabulous Killjoys)

48. “Greenback Boogie” – Ima Robot (Another Man’s Treasure)

47. “I Don’t Care” – Fall Out Boy (Folie a Deux)

46. “America’s Suitehearts” – Fall Out Boy (Folie a Deux)

45. “Property” – Say Anything (Say Anything)

44. “Unstoppable” – Foxy Shazam (Foxy Shazam)

43. “Animal” – Neon Trees (Habits)

42. “(Coffee’s for Closers)” – Fall Out Boy (Folie a Deux)

41. “Bang the Doldrums” – Fall Out Boy (Infinity On High)

40. “Once in Awhile” – Don’t Stop Or We’ll Die (One of the Gang)

39. “Folkin’ Around” – Panic at the Disco (Pretty. Odd.)

38. “Never Meant to Know” – Tally Hall (Good & Evil)

37. “20 Dollar Nose Bleed” – Fall Out Boy (Folie a Deux)

36. “Nine in the Afternoon” – Panic at the Disco (Pretty. Odd.)

35. “A Little Piece of Heaven” – Avenged Sevenfold (Avenged Sevenfold)

34. “One Day, Robots Will Cry” – Cobra Starship (¡Viva la Cobra!)

33. “Wowee Zowee” – Two Tongues (Two Tongues)

32. “The Truth Is, You Should Lie With Me” – Say Anything (In Defense of the Genre)

31. “Effect and Cause” – The White Stripes (Icky Thump)

30. “Thriller” – Fall Out Boy (Infinity On High)

29. “You Were Good In Your Time” – Morrissey (Years of Refusal)

28. “Fuck You” – Cee-Lo Green (The Lady Killer)

27. “Somebody That I Used To Know” – Gotye (Making Mirrors)

26. “Henrietta” – The Fratellis (Costello Music)

25. “Prostitution is the World’s Oldest Profession (And I, Dear Madam, Am A Professional)” – Cobra Starship (¡Viva la Cobra!)

24. “Toy Boy” – Mika (The Boy Who Knew Too Much)

23. “That’s How People Grow Up” – Morrissey (Years of Refusal)

22. “Kiss with a Fist” – Florence + the Machine (Lungs)

21. “Girl with One Eye” – Florence + the Machine (Lungs)

20. “Home” – Edward Sharpe and the Magnetic Zeroes (Up From Below)

19. “The World Should Revolve Around Me” – Little Jackie (The Stoop)

18. “You Don’t Know What Love Is (You Just Do As You’re Told)” – The White Stripes (Icky Thump)

17. “Out of the Blue” – Julian Casablancas (Phrazes for the Young)

16. “Hum Hallelujah” – Fall Out Boy (Infinity On High)

15. “Wanna-Be Angel” – Foxy Shazam (Foxy Shazam)

14. “Happy Ending” – Mika (Life in Cartoon Motion)

13. “Fresh Attitude, Young Body” – Bomb the Music Industry! (Scrambles)

12. “Pacific Coast Highway” – Hole (Nobody’s Daughter)

11. “Guilty Pleasure” – Cobra Starship (¡Viva la Cobra!)

10. “Disloyal Order of Water Buffaloes” – Fall Out Boy (Folie a Deux)

9. “Animals” – CocoRosie (The Adventures of Ghosthorse and Stillborn)

8. “Killin’ It” – Foxy Shazam (Foxy Shazam)

7. “‘The Take Over, the Break’s Over'” – Fall Out Boy (Infinity On High)

6. “Grace Kelly” – Mika (Life in Cartoon Motion)

5. “That Green Gentleman (Things Have Changed)” – Panic at the Disco (Pretty. Odd.)

4. “Ludlow St.” – Julian Casablancas (Phrazes for the Young)

3. “Werewolf” – CocoRosie (The Adventures of Ghosthorse and Stillborn)

2. “Dog Days Are Over” – Florence + the Machine (Lungs)

1. “Oh Lord” – Foxy Shazam (Foxy Shazam)

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The 25 Best Buffy the Vampire Slayer Episodes, Pt. 4: #10-1

Alright. I know everyone has been on the edge of their seat waiting for me to finish up this damn Buffy list. I know I have, and my ass is starting to get pretty sore. From sitting on the edge of my seat, you see. That’s not how chairs are supposed to work.

Anyway, the final installment is here, but first, an announcement:

Lenny of Lenny Tunes and I have created a podcast in which we discuss our mutual favorite thing in the world, television. It’s called Secret Lover (1), and I don’t care what your favorite podcast is; you’re about to trade up.(2) You have your choice of downloading and/or streaming it on iTunes or Podbean! Lucky you!

And now, on to the thrilling conclusion of my list of the 25 best episodes of Buffy the Vampire Slayer. Images are from LeaveMeTheWhite.com unless otherwise noted.

10. Tabula Rasa (06×08)

Anya: What? I’m just saying what everyone’s thinking, right baby?
Xander: You are attractive and have many good qualities.

The delightfulness of this everybody-gets-amnesia episode is undercut only slightly by the fact that no one would have gotten wacky magical amnesia in the first place if Willow weren’t an abusive girlfriend. The highlights of the episode are watching Spike and Giles decide they must be a father and son and then try to work out their issues, and watching Giles and Anya make out. Heehee. Plus, bonus Michelle Branch!

9. Intervention (05×18)

Buffybot: Angel’s lame. His hair grows straight up and he’s bloody stupid.

Awww, Buffybot. You’re all I need in life. This episode is great because it provides the sexy visual of Spike-on-Buffy action without forcing you to think about the unpleasant emotional reality of that couple. Plus, the readouts on Buffybot’s screen are hilarious (“Willow, best friend, gay [1999-present]” and “Positions1 Positions2 Positions3 Positions4” are two of my favorites.)

8. Passion (02×17)

Buffy: Giles didn’t set this up. Angel did. This is the wrapping for the gift.

I love a good Angelus episode. This has Giles going through one of the most horribly heart-wrenching moments of the entire series. My only complaint is the goddamn narration by Angel and/or Angelus that bookends the episode. Yeeeeeesh.

7. Innocence (02×14)

Angel: I got a message for Buffy.
Buffy: Then why don’t you give it to me yourself.
Angel: Oh, it’s not really the kind of message you tell. It sort of involves finding
the bodies of all your friends.

More Angelus. Yes please.

6. Surprise (02×13)

Oz: I’m gonna’ ask you to go out with me tomorrow night, and I’m kinda nervous about it, actually. It’s interesting.
Willow: Oh, well, if it helps at all, I’m gonna say ‘yes’.
Oz: Yeah, it helps. It creates a comfort zone.

Who doesn’t love thinking about teenagers losing their virginity? Um… it’s a great episode anyway.

5. Who Are You (04×16)

image from Buffy World

Buffy (in Faith’s body): Stop inching. You were inching!
Giles: Look, I know what you’re going to say, and, and…
Buffy (in Faith’s body): I’m Buffy.
Giles: All right, I didn’t know what you were going to say, but that doesn’t make you any less crazy.

This body-swap episode is especially amazing because of the skill with which Eliza Dushku and Sarah Michelle Gellar are able to impersonate each other. We’re all friends here, and I feel like I can be real with you guys, so I’ll just say it: Faith’s a terrible character. But, that said, this largely Faith-centered episode successfully sucks you in and makes you care about her. Nice.

4. Once More, With Feeling (06×06)

Sweet: Something’s cooking, I’m at the griddle/I gave Nero his very first fiddle.

MUSICAL EPISODE! MUSICAL EPISODE! MUSICAL EPISODE! Seriously, what can’t Joss Whedon do?

3. The Body (05×16)

Anya: I don’t understand! I don’t understand how this all happens. How we go through this. I mean, I knew her, and then she’s… there’s just a body, and I don’t understand why she just can’t get back in it and not be dead anymore. It’s stupid. It’s mortal and stupid. And Xander’s crying and not talking. And I was having fruit punch, and I thought, well, Joyce will never have any more fruit punch, ever. And she’ll never have eggs or yawn or brush her hair. Not ever. And no one will explain to me why.

This episode is beautiful and amazing. Too bad it’s horribly depressing and I never want to watch it again.

2. Restless (04×22)

Giles: Everybody that Willow’s ever met is out in that audience, including all of us. That means we have to be perfect.

This episode simultaneously reflects what dreams are like, explores the inner thoughts of the Scooby Gang, produces some of the weirdest, funniest lines of the entire series, AND seriously creeps me out every time I watch it. Now that’s good Buffy.

1. Hush (04×10)

(image from Buffy World)

Spike: Like I’d bite you, anyway.
Xander: Oh, you would.
Spike: Not bloody likely.
Xander: I happen to be very biteable, pal. I’m moist and delicious.
Spike: All right, yeah, fine. You’re a nummy treat.
Xander: And don’t you forget it.

It’s hard to come up with a good quote for this episode, since the vast majority of it is silent, but the above interaction between Spike and Xander is pretty adorable. I hardly even have to defend this episode since it’s widely regarded by Buffy fans as the best episode, so I guess I’ll just reiterate that it’s perfect and leave it at that.

Footnotes

(1) A reference to Homer Simpson’s immortal line about television: “Teacher. Mother. Secret lover.”

(2) Loving homage to a joke by comedian Anthony Jeselnik. Do y’all know about Anthony Jeselnik? I didn’t used to like him, but he’s beautiful and I’ve come to associate his face with his humor and, well… time makes fools of us all.

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The 25 Best Buffy the Vampire Slayer Episodes, part 3: 15-11

I hope you’re enjoying this walk down Buffy Memory lane as much as I am, gentle readers. Here’s the next installment of my list. If you need to catch up, you can read the first two installments of this list here and here. As always, screen caps are from Screencap Paradise, unless otherwise noted.

15. Halloween (02×06)

Image

Giles: “Break the spell, Ethan. Then leave this place and never come back.”
Ethan: “Why should I? What’s in the bargain for me?”
Giles: “You get to live.”

I believe my everlasting love of Ethan Rayne has already been documented, but I’ll reiterate: he is a wonderful villain, who brings with him the gifts of wacky mischief  and homoerotic undertones. I wish the show had used him in more than four episodes, but instead of dreaming of what might have been, I’ll just appreciate the times Ethan and I had together. In this episode, Ethan, making his first appearance, sells costumes to the kids that turn them into whatever they’re dressed as. Hence, the world goes topsy-turvy on us as Buffy becomes a simpering noblewoman who mistakes cars for demons and Xander becomes a living G.I. Joe. More importantly, this is the first episode to hint that back in his day, Giles was a total badass, and when the situation calls for it he’ll revert to that badassery in a heartbeat. The perfect man? You be the judge.
14. Earshot (03×18)
Image
I am my thoughts. If they exist in her, Buffy contains everything that is me and she becomes me. I cease to exist. Huh.” – Oz
 This episode makes fantastic use of Buffy having temporary mind-reading powers. We get Oz, the human incarnation of the phrase “still waters run deep,”;  Cordelia, who says everything she thinks; and poor Xander, who simply cannot stop thinking about sex for two seconds. I think we can all relate. “Earshot” also has one of the greatest comedic moments of the series when Xander and the lunch lady simultaneously catch each other doing bad things- and it takes them both a moment to realize that pouring rat poision into kids’ lunches trumps pilfering a piece of Jell-O. This also has an important lesson for teenagers, and, indeed, people of all ages: Nobody else notices you’re miserable because we’re all distracted by our own misery. Don’t kill anyone.
13. Living Conditions (04×02)
image from Buffyworld
Buffy: “So then she’s like, ‘It’s share-time.’ And I’m like, ‘Oh yeah? Share this!'”
Oz: “So either you hit her or you did your wacky mime routine for her.”
Buffy: “Well, I didn’t do either, actually. But she deserved it, don’t ya think?”
Oz: “Nobody deserves mime, Buffy.”

In this episode, Buffy starts to act more like me then ever! Then, everyone comments on what a bitch she’s being and it’s revealed that it’s because a monster is stealing her soul. Well, you win some, you lose some. At least this has the valuable lesson that no one should ever accuse Buffy of being crazy. Even when she only has half a soul, that girl has her shit together.

12. Band Candy (03×06)

Buffy: “Listen to me–”
Giles: “No, you listen to me. I’m your Watcher so you do what I tell you. Now sod off!”

This episode does a great job o drawing attention to how dumb teenagers act by showing the show’s adults acting like teenagers. We get to see Principal Snyder as a lame teenage nerd, Joyce Summers as a ditzy teenage girl who loves bad boys, and Giles as a badass Cockney teenager who goes around smashing shop windows for fun and gets so excited at the thought of Buffy beating up Ethan Rayne that he has to hop up and down to get it out of his system.

11. Storyteller (07×16)

“Oh, hello, there, gentle viewers. You caught me catching up on an old favorite. It’s wonderful to get lost in a story, isn’t it? Adventure and heroics and discovery: don’t they just take you away? Come with me now, if you will, gentle viewers. Join me on a new voyage of the mind. A little tale I like to call: Buffy, Slayer of the Vampyrs. ” – Andrew Wells

Season seven, as a whole, was not bringing it, but this episode, as an individual episode, almost makes up for that. This episode shows the adorable Andrew’s attempts to make a documentary about Buffy and the end of the world that makes him look like less of a best friend-murderer than he is, intercut with footage of Andrew’s fantasy sequences. Tom Lenk is unbelievable in this episode, giving both hilariously bizarre line deliveries and a heartbreakingly real emotional performance. We are as gods!

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The 25 Best Buffy the Vampire Slayer Episodes, part 2: 20-16

It’s Whedon season, and I’m needonin’ some Whedonin’. To tide me over until much anticipated (by me, at least) Whedon flicks Cabin in the Woods and The Avengers come out later this month, I’m revisiting the best episodes of Joss’s best show, Buffy the Vampire Slayer.

If you missed it, you can read the first part of this list here: The 25 Best Buffy the Vampire Slayer Episodes, part 1: 25-21.

Photos are from Screencap Paradise.

20. “I Was Made to Love You” (05×15)

Buffy: Can you cry? Sometimes I feel better when I cry. But… there might be rust issues.

April: Crying is blackmail. Good girlfriends don’t cry.

Is anything more relatable than a sex robot getting rejected by her creator/boyfriend and then going on a violent rampage? Not to me, but I’m not known for having the healthiest relationships. This episode (which introduces the nerd we all love to hate and hate to love, Warren Mears) is adorably sad while still being entertaining and having some funny moments. Be warned, though- the last scene, which is unrelated to the episode plot, will bum you all the way out. No judgements if you turn off your TV the second Buffy steps into her house.

19. “The Wish” (03×09)

Xander: And they burst in, rescuing us, without even knocking? I mean, this is really all their fault.
Buffy: Your logic does not resemble our Earth logic.
Xander: Mine is much more advanced.

In the wake of her split with Xander– caused by finding him kissing notorious overalls-wearer Willow– Cordelia makes a wish with a vengeance demon (Anya! Welcome to the show, Anya!) that Buffy had never come to Sunnydale. Kind of a weird wish, when you think about it, since her problem is with Xander and Willow, but I guess I’ll give her a pass since she was just idly saying that and didn’t know it would come true. It does come true, though, and we get a glimpse into what Sunnydale would be like without Buffy and, equally unnerving, what Buffy would be like without Sunnydale. Most things would be awful, sure, but at least Angel would get tortured a whole lot! Oh well, I guess it’s not worth it.

18. “Lovers Walk” (03×08)

“I gave her everything – beautiful jewels, beautiful dresses, with beautiful girls in them, but nothing made her happy. And she would flirt! I caught her on a park bench, making out with a chaos demon! Have you ever seen a chaos demon? They’re all slime and antlers.” – Spike

This episode has a recently dumped Spike being a whiny little bitch, then sort of getting rapey with Willow. It also has Joyce thinking that Spike is a nice young man she should make hot cocoa for, and that Angel is a monster. (She has some good points there.) What can I say? Those are pretty much my two favorite things.

17. Bewitched, Bothered and Bewildered (02×16)

Angelus: Dear Buffy. I’m still trying to decide the best way to send my regards.
Spike: Why don’t you rip her lungs out? It might make an impression.
Angelus: Lacks… poetry.
Spike: It doesn’t have to. What rhymes with lungs?

Amy the witch turns Buffy into a rat for the majority of “Bewitched, Bothered and Bewildered,” but despite having less Buffy than any other Buffy, this episode, about Xander and Cordelia fleeing the angry mob of Xander-admiring girls created by a love spell gone awry, is still a delight to watch. Oh, Xand. When will you learn that love spells don’t solve anything? I guess after this episode. Asked and answered.

16. “Superstar” (04×17)

Buffy: “Giles, do you have a Jonathan swimsuit calendar?”
Giles: “No. (pause) Yes. It was a gift.”

Finally, the Scoobies get transported to a universe where Jonathan Levinson is the coolest guy in the world-which, incidentally, is the universe I already live in. It’s awesome to see Danny Strong play a character who’s almost as cool a dude as he is for once. Plus, we get the delight of seeing every character drool over Jonathan, as well as confirmation that no matter what the situation, Buffy’s natural leadership skills will come out eventually.

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The Best Podcast Episodes of the Week: March 25-31

Look, there’s a lot of podcasts out there, and honestly, most of them aren’t so great.  I know. I listen to a lot of them, and oftentimes it brings me nothing but heartache. To save you the arduous task of wading through the pod-roughs to find the one pod-diamond, I’ve decided to start recommending a finite number of podcast episodes each week. This week I’m going with five, one for each drive/ride/walk to work/school.

5. Sklarbro Country: “Hurdler Backpack”

Guests: Taran Killam, James Adomian, and Dan Van Kirk

Look, you guys, I do not care about sports AT ALL. I’m too busy putting on mascara and thinking about baby names to watch a football game. Gender socialization is oppressive, am I right? When I have children they’ll all wear yellow clothes and play with trucks and dolls and have medium-length hair and gender-neutral names like Ashton and Sasha. I am a first-year sociology student, I know what I’m talking about, you guys. Anyway, the point is that we live in a patriarchal society and need to cast off the shackles of male oppression. The other point is that despite not understanding the games they discuss or knowing anything about the athletes they mock, I still find this show immensely enjoyable because the Sklars are just so damn fun to listen to. Plus, this week their guest the adorable and charming Taran Killem of SNL.

4. Who Charted? with Howard Kremer and Kulap Vilaysack: “Ronna & Beverly”

Guests: Jessica Chaffin and Jamie Denbo

Who Charted? is one of the few podcasts I enjoy listening to every week, regardless of who the guest is. However, I was a little skeptical when I saw the guests this week were Jessica Chaffin and Jamie Denbo in character as Jewish fiftysomethings Ronna and Beverly. The Ronna and Beverly podcast is one of only two that I’ve ever turned off in the middle due to boredom despite Paul F. Tompkins being the guest. (The other one was Aisha Tyler’s podcast. Bleh.) I don’t know how to explain it, but being around chartists Howard and Kulap somehow made these two entertaining, and I actually really enjoyed them on this week’s show. They kind of put me in mind of Maya Rudolph and Amy Poehler’s Bronx Beat characters, which is something I need more of in my life.

3. Freakonomics Radio : “The Power of the President — and the Thumb”

This show is really, really good, always, and this week was just as entertaining and informative as always. The first half addresses the question, “Does the President matter?” (Short answer no with an “if”, long answer yes with a “but”) and the second is about the decreased popularity of hitchhiking. Both are updates of old episodes, but there’s enough new content here that I was still interested. Since I have the attention span of famous ADD sufferer Adam Levine, odds are you’ll be interested, too.

2. Your Mom’s House with Christina Pazsitzky and Tom Segura: “Episode 41”

Guests: Paul F. Tompkins

I’ve never listened to this podcast before and, I’ll be honest with you, I’ll most likely never listen to it again, but as Paul F. Tompkins goes, so goes my podcast listenership. PFT advertised this as the “raunchiest [he] ever get[s] or [has] gotten,” and that statement stressed me out more than perhaps it should have. Look, I go to PFT for high-brow comedy about opera hats and cake dragees and stuff. If I wanted a poop joke I’d buy a Larry the Cable Guy album, you know? I was relieved that this episode was just PFT being the PFT I know and love. The raunchiest he got was grudgingly responding to a “would you rather” scenario that involved penises, then  being asked if he’d rather “fill up/seal shut” Penelope Cruz or Salma Hayak and remarking that “fill up” and “seal shut” are weird euphemisms for sex. The married couple that hosts this show is a little gross for my liking, but with PFT in there classing up the joint this is still a delightful listen.

1. Comedy Bang Bang: “Time Bobby”

Guests: Paul F. Tompkins, Bobby Moynihan

And more PFT! Hurray! This week’s episode of CBB has the “co-host/interviewee” spot, normally filled by some sort of real celebrity, occupied by Mr. Tompkins in character as perhaps the classiest of all his characters, Lord Andrew Lloyd Webber. It also features adorable little SNLster Bobby Moynihan as a scrappy street urchin with a passion for musical theater and a penchant for stabbing people. Also Scott Aukerman is there, doing his hosting thing! Yay! Aukerman! Seriously you guys, just listen to the episode. You shan’t regret it.

Pictures from EarwolfRadio.com YourMomsHousePodcast.com, and WhiteHouse.Gov.

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The 25 Best Buffy the Vampire Slayer Episodes, part 1: 25-21

Is it just me, or has Joss Whedon been a lot more active lately? I’ll admit that I haven’t really been paying attention to him, but I haven’t noticed a lot of Whedon projects in the past few years. Now, suddenly, he has two movies (The Avengers and Cabin in the Woods) coming out this spring that I would be super excited to see even if Whedon’s name wasn’t attached to them. I am thrilled for this Whedonaissance, whether or not it is occurring solely in my mind, and so in honor of dear Joss, I’ve compiled a list of the twenty-five best episodes of what is, to me, clearly his masterpiece: Buffy, Slayer of the Vampyres.

Pictures are from Screencap Paradise.

The 25 Best Buffy the Vampire Slayer Episodes: #25-21

25. “The Weight of the World” (05×21)

Willow: “Ben and Glory are the same person?

Xander: “Glory can turn into Ben and Ben turns back into Glory.”

Anya: “And anyone who sees it instantly forgets.”

Giles: “Now, do we suspect that there may be some kind of connection between Ben and Glory?”

For nearly five full seasons, Buffy shouldered the burden of averting Apocalypse after Apocalypse all by herself. Okay, the Scoobies were there too to look up names of demons and act as bate and stuff, but come on. Buffy did all the heavy lifting. Having that insane workload would send any other person “howling to the nut house,” as Dean Winchester would say. “The Weight of the World” shows Buffy finally having a well-earned mental breakdown. In order to save her from her catatonic state, Willow magics herself into Buffy’s brain and travels  through some of  the most important memories she finds there, providing us a glimpse into Buffy’s wonderful, tortured, heartbreaking brain. Oh, Buff.

24. “Something Blue” (04×09)

“So the plan is to cure my total incapacitating blindness tomorrow, is it?” – Giles

Willow does a spell to to “have her will done,” (spell-language is just the worst, isn’t it?) that doesn’t take into account the prevalence of figurative speech. Because of this, Giles ends up blind, Xander ends up hunted by every demon in a five-mile radius, and, most importantly, Spike and Buffy end up ickily, gushingly in love with each other and start planning a wedding. The plot is an eentsy bit flimsy and this is the beginnings of Willow becoming the most selfish character in the world, but it’s such a fun, hilarious episode that I forgive it, and so should you.

23. “Fear Itself” (04×04)

Giles: “The summoning spell for Gachnar can be shut down in one of two ways. Destroying the Mark of Gachnar…

[Buffy destroys the Mark of Gachnar]

Giles: “..is not one of them, and will in fact immediately bring forth the fear demon itself.”

When will college kids learn that idly painting pentagrams on their floors is dangerous? Damn kids.  The gang heads to a a Halloween party and, wouldn’t you know it, all their deepest fears end up coming true. Thankfully, none of these characters are too messed up, and all of them have fears like being invisible and turning into a werewolf, so this episode is fun to watch rather than deeply upsetting. This one goes down in Buffy history as the episode that originated Anya’s famous rabbit phobia. It also goes down in the Buffy history of my heart as the episode where Giles wears a sombrero and wields a chainsaw.

22. “A New Man” (04×12)

Buffy: “Please don’t die!”
Giles: “Actually, I feel quite well, except for the rage.”

I’m a sucker for a good Ethan Rayne episode! He never raises the stakes too high; instead of wanting to end the world or enslave humanity, he just wants to stir up a little trouble. I won’t lie, I also love to see the longing in his eyes when he looks at Giles. I’m right there with you, Rayney. Giles is a gorgeous hunk of man. This episode, about a depressed and defeated Giles getting transformed into a demon, has it all: Spike and Giles teaming up out of necessity, stupid Maggie Walsh getting a well-deserved demon-chasing, and, of course, proof that Buffy knows Giles better than anyone has ever known anyone.

21. “The Harsh Light of Day” (04×03)

Xander: “So… the crux of this plan is…”
Anya: “Sexual intercourse. I’ve said it, like, a dozen times.”
Xander: “Uh-huh. Just working through a little hysterical deafness here.”
Anya: “I think it’s the secret to getting you out of my mind. Putting you behind me. Behind me figuratively. I’m thinking face-to-face for the event itself.”

This episode, I am willing to bet, is much more popular with lady-viewers than with the other kind, since it’s essentially about how men are kind of the worst. Buffy sleeps with Parker and then gets the old we-were-just-having-fun-you-knew-what-this-was speech. Anya sleeps with Xander, who promptly ditches her without explanation. A newly vampirized Harmony just wants her new boyfriend Spike to forget about his ex, but instead he tries to kill her. Willow escapes unscathed, because she is dating only-nice-guy-in-the-world Oz! This episode’s a bit of a bummer, but damn it, it tells it like it is. Plus, Harmony and Spike have the best dynamic ever– you know, when he’s not trying to murder her.

Those are some good episodes, y’all. But there are twenty more even better episodes ahead! Isn’t it nice to have something to look forward to in your bleak existence?

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Supernatural Recap: “The Born-Again Identity”

Alright, you guys, let me start this off with an important disclaimer: this is not going to be a blog exclusively about Supernatural. “But, Katie,” you say, “you haven’t updated your blog in months and now suddenly you’re posting your third Supernatural-related blog in twenty-four hours.” Yes, I know how it looks, but you’re just going to have to trust me. I do have other interests, and I’m sure you do as well. However, I’ve decided to start recapping Supernatural each week, and in the interest of timeliness, I thought I should get this one up ASAP. Kindly bare with me.

And now, to the episode.

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Ooh-wee, Lucifer! Your enthusiasm for your materrial does not match the response it is getting!

“The Born-Again Identity” starts with a “previously on,” but sadly, it is not set to Kansas’ “Carry On My Wayward Son.” It’s not even set to “You Shook Me All Night Long.” What a waste. This “previously on” includes a clip of nobody’s favorite one-liner: Lucifer shouting, “Good morning, Viet Nam” into Sam’s ear as Sam’s entire body catches on fire (symbolically?) Does anybody understand this moment? It’s bizarre. That unpleasantness is in the past, however, as is, apparently, Lucifer saying to Sam, “You wanted me, partner.” Are Sam and Lucifer going through a rocky divorce? At least since Sam got married to Becky awhile back Lucifer doesn’t have to pay alimony anymore, right? I am also realizing that I do not understand this whole Lucifer-in-Sam’s-head storyline at all. Castiel caused Lucifer to be in Sam’s brain? Lucifer’s not really there? Why are we so sure of that? Lucifer might actually be there, you guys. I don’t even remember him dying. It’s not fair of everyone to just assume Sam’s crazy.

And now it’s the present!

Sam runs down the street, looking handsomely disoriented. He bumps into some guy who calls him a dick. He runs into a scary alleyway where a very groomed-looking drug dealer tells him he needs to get the hell out of here. It always surprises me that onlookers and passersby aren’t always super-nice to the Winchesters. How can anyone stand to be rude to someone so handsome and nicely shaped?

Lucifer– who Great Gazoo-style, can only be seen by Sam– pops up to taunt Sam as he tries to carry on a civilized conversation with this man whose leather jacket is too shiny and whose hair is too gelled for him to really be up to no good. Seriously, the guy looks like a damn Backstreet Boy. He’s not even at an AJ level of scary. He’s maybe a Kevin. MAYBE. “You’d be sleeping by now if the devil would just leave you alone for five seconds,” says Lucifer. “Stupid Satan.” You read my mind, Lucifer! I was just thinking those very words. There is something going on with Mark Pellegrino, who plays Lucifer, this episode. It looks to me like his eyes are never quite focused where they should be, like when you can really tell someone on SNL is heavily relying on the cue cards. I actually have a fair amount of fondness for Marky P, despite my problems with Lucifer, and I’m feeling a bit concerned for him. In the dark alleyway, drug-dealing Joey Fatone is suddenly very worried about Sam’s well-being, so maybe Sam’s beauty actually is helping him out. “Oh, I’m sorry, sir, there was a shadow on your face when I told you to get the hell out of here and I didn’t realize how excellent your bone structure is. I do apologize. Come right in.” He can tell Sam’s been up for days, I guess because drug dealers are good at spotting that kind of thing, and kindly offers to knock him out with drugs. I don’t doubt that the dealer means this as an act of kindness, but I am also positive he plans on fucking unconscious Sam.

Cut to Sam and drug dealer sleeping peacefully in a car together.  Is it the Impala? I can’t be sure. And what went down between those two? I wish I knew! I am so happy that Sam is actually sleeping, but of course Lucifer pops up to ruin everything by singing, “Good morning to you, good morning to you, our day is starting, good morning to you.” Is this a song that exists, or does Lucifer just compose little jingles? It would be kind of cute if he’d always wanted to be a musician and this was his only outlet for it. Lucifer says the sentence, “I’m inside you,” and I am disgusted at the giggle of pure delight that escapes my throat before I can stop it. I find Lucifer terribly unattractive, even, but I am only human! Sam flees, and Lucifer follows him, babbling uninteresting, barely sensical Luciferisms. This guy is one weird dude. Sam is desperate to get away from Lucifer, as are we all, so much so that he doesn’t see the car coming as he runs into the street and oh no Sam look out! The car hits him and he rolls over the hood. Better than under the tires, I guess. I’m a glass half full kind of lady!

In a hospital, Dean is too manly and concerned about his brother to let hospital formalities slow him down, and he barges into some doctor’s office to give him what for. The doctor informs him that Sam was admitted for a cracked rib and some lacerations but is now in the psychiatric ward because he’s kind of having a major psychotic break. Bummer.  The doctor also tells Dean that they’ve pumped Sam full of sedatives but he still won’t go under.

In Sam’s room, Lucifer is blabbing away at Sam while playing with a cat’s cradle, because Lucifer is me circa 1997. Dean enters, and Lucifer refers to him as “Mr. Helpless.”  As cute a nickname as that is, it’s blatantly inappropriate, and I think Lucifer can do better. Dean tells Sam he’s going to get him help, and Sam immediately says that won’t work because faith healers are all frauds. Um, Dean never said anything about faith healers, buddy. I don’t know why you went straight to that. Dean angrily tells Sam to stop being so resigned and start getting mad. Sam says he’s too tired, and besides he doesn’t think there’s a cure for acute Luciferitis. Sam and Dean look at each other sadly and have a moment. Then Lucifer points out that they’re having a moment and ruins it.

Dean goes through all the contacts he can find in Bobby’s stuff in hope of finding somebody who can help. Maybe he should try looking in the phone book under “Satan repair.”

In the hospital, the doctor from earlier walks in and asks Sam to rate his pain on a scale from one to ten, then turns into Lucifer and says he’s gonna torture him. Was that whole ruse really necessary, Lucifer? What did that really accomplish? At least when Sam tries the silent treatment, Lucifer tells him to fight back and makes cute little fisticuffs at him. I don’t think much is cute as far as Lucifer goes, but I’m a sucker for fisticuffs.

Awhile later, Sam bites in a sandwich and bam: maggots. I think this show is single-handedly keeping the maggot wranglers of Vancouver in business. As Sam drops his sandwich and recoils, a cute girl stops in the door of his room, just to look at him, I guess. I get it. Sam’s a looker. She has a bandage on her neck, so I immediately think, “Vampire! This chick’s a ticking vampire time bomb!” If only Sam had as much foresight as me.

Back at Bobby’s, Dean gets a call from a hunter who tells him about a healer named Emanuel who is incredibly powerful. Dean seems to immediately think this information is extremely significant. Good instincts, I guess?

At the hospital, Neck Bite Girl brings Sam a candy bar to try and make friends. Sadly, Lucifer has gotten his hands on a megaphone, so his particular brand of comedy is now being broadcast at ten times the volume. Uggggh. Lucifer shouts in Sam’s ear as he reaches for the candy bar and he flinches violently, making him look crazy in front of his new friend, who turns and runs away. Thanks a lot, Lucifer.

Dean knocks on the door of a cute little suburban house and some dude who introduces himself as Emanuel steps out. Dean is just about to state his business when he glances through the living room curtains and sees a woman bound and gagged inside. Seriously, dude? You’re just gonna leave the curtains ajar when you’re in the middle of a hostage situation? The guys eyes turn all black so we know he’s a demon. Demon-guy shoves Dean, and Dean reminds him that newly-crowned-king-of-Hell Crowley doesn’t want demons fucking with the Winchesters while they’re in the process of hunting down season villain Dick Roman. The mere mention of Crowley sends my heart aflutter. Maybe my one true love will appear this episode. True, I didn’t see Mark A. Sheppard in the credits, but I’m not a credit-reading machine, I could have just missed it! Come on, Crowley, no whammy no whammy big money big money! Demon guy laughs and says, “What have you done for him lately?” I getcha, demon guy. Read you loud and clear. I know what Crowley’s after. A little quid pro quo, maybe? A little “you scratch my back I scratch yours”? A little “Dean blowing the devil in exchange for protection”? Demon-guy says, “Whatever Emanuel is, Crowley’s gonna want him. A lot more than he wants you these days.” I love it when the dialogue sounds like it’s very straightforwardly about gay sex, although I think we can all agree that this is a bluff, since what could Crowley possibly want more than he wants perfect-male-specimen Dean Winchester? Dean stabs demon guy with his demon-stabbing knife ’cause, you know, why wouldn’t he? That’s kind of why he has it. Demon guy rolls down the fronts steps of the house and lands at someone’s feet.  The camera pans up a little, but we can still only see the lower half of this person’s body, which happens to be very shapely. “Is that a chick or a guy with a nice ass?” I ask my roommate. “I hope it’s a guy with a nice ass!” “I hope it’s Cas!” she says. Two seconds later we see that, yes, it is Cas, and you would not believe the squeals of pure joy that escape my roommate and me. I actually flip myself onto my back and kick my feet in the air, like that Molly Shannon character who was always saying, “I love it I love it I love it.” My roommate’s boyfriend politely refrains from expressing verbally the disgust I am almost certain he is feeling. Dean looks understandably shocked as this dude, who is either Castiel or Jimmy’s twin brother, says, “Who was that?” Commercial break!

Back from commercial, “Emanuel” and Dean are inside the house, untying the hostage girl. Emanuel and this chick are getting a little handsy, which leads me to suspect that this guy is not Castiel since I am 100% positive Castiel is gay. I know, I know, I say that about nearly all the characters on this show, but that’s only because nearly all the characters on this show are gay. Emanuel thanks Dean for protecting his wife. Wife! Yeah, no way is this Castiel. Emanuel is shocked to hear that demons walk the earth, further evidencing him not being Cas.

Hospital! Sam lays in his hospital bed, either sleeping or trying to sleep, and is rudely awakened by the sounds of “Wake Up Little Susie” followed by some annoying popping noises. Then we see that Lucifer is sitting next to a stereo and throwing those mini-fireworks that make a little pop noise when you light them. Who is giving Lucifer this stuff?! Lucifer talks some shit about Sam, who lies there sadly and tries, along with the viewing audience, to just pretend Lucifer’s not there. Sam asks the orderly who brings his food in about pretty-probably-going-to-be-a-vamp-soon girl. Orderly says he’s not allowed to talk about it, but unlike Sam she didn’t get there because of an accident. Sam lays down and tries to go to sleep, but of course, Lucifer has an endless supply of firecrackers, so that’s not happening.

As Dean drives toward the hospital, Emanuel tells him that several months ago his now wife found him naked and confused in the river and took him in. Dean asks who gave him the name Emanuel, to which Emanuel– who, it’s now pretty clear, is actually Castiel– replies, “BouncingBabyNames.com.” Aw. Can I just say, good for that lady! I think we all dream of finding a naked Misha Collins and taking him home to be ours forever. I bet she picked all of his clothes, too. His ensemble is not what I would have chosen, but I’m not an outdoorsy born-again Christian. A quietly fuming Dean says that it must be weird not knowing who you are and asks Castiel, “What if you were some kind of bad guy?” Since Castiel seems to fall pretty far to one side of the autism spectrum and has never had a talent for reading faces, he does not notice the emotions Dean is clearly experiencing and calmly replies that he doesn’t feel like a bad person.

In the hospital, Sam is making just the saddest little face. Poor baby. At least for the moment Lucifer’s nowhere to be found. Lovely Neck Wound Girl pops up again and offers Sam another candy bar. Sam invites her to stay and split it. Sam and this girl have a conversation about how depressed she is, and I start thinking, “Hey, Sam looks extra handsome right now.” The moment I think that, my roommate says, “Ew, when Sam doesn’t pay attention to his grooming he starts to look more like Lucifer.” Uh oh. Only one of us can be right here, since “handsome” and “looks like Lucifer” are mutually exclusive. The subject of conversation turns to Sam hearing voices, and Neck Bandage reveals that she, too, hears a voice- the voice of her dead brother. Oh. So it’s a ghost thing, not a vampire thing. I guess to be fair, sometimes people in the real world injure their necks, and it’s not always vampire-related. You just get used to watching supernatural dramas and thinking of neck wounds as shorthand for “Vampire Alert!” Well, way to keep my on my toes, Supernatural. This certified non-vampiress tells Sam that her dead brother was the one who started the fire that got her into the hospital. Sam’s reaction to this is very understanding, but Sister of A Ghost still gets defensive and yells at Sam about how he’s even crazier than her so he can’t judge. I think you’re projecting, sweetheart. She stomps toward the door, but Sam stops her by reiterating that he doesn’t think she’s crazy, and tells her that he can help.

Castiel asks Dean what his brother’s diagnosis is and Dean tells him it’s not exactly a medical thing. Castiel says, that’s fine, he can cure spiritual ailments as well. Dean starts bitterly talking about how this dude he used to know (It’s Castiel everybody, he’s talking about Castiel to Castiel but Castiel doesn’t know it. Oh, dramatic irony is so delicious!) broke his brother’s head. Cas asks if this “Dude” was a friend who betrayed him, and my heart melts at Cas’ awkward use of the word “dude.” Dean gives Cas the angriest, saddest look I have ever seen. I am in awe of Jensen Ackles’ acting. It is not fair for one man to be so talented and also so beautiful. There must be something off about Jensen that cancels this stuff out, right, like wicked B.O. or a secret life as a serial killer? No mere human can be this perfect. As I wipe some of the Jensen-inspired drool form my chin, Cas asks whether Dean killed his traitorous friend, adding, “I sense that you kill a lot of peopole.” You need to recalibrate your angel-senses, Cas. How many actual people has Dean killed? He just kills monsters and stuff. That doesn’t count! Ooh, but I guess there’s a live person inside most demons. You got me there, Castiel. That’s a pretty high body count. Dean skirts the issue of whether he’s a murderer by saying, “Honestly, I don’t know if he is dead.” Then, he reveals that he’s always been able to shake the bad stuff off with time, but says, “What Cas did… I just can’t. I don’t know why.” Cas tells Dean he’s not a machine, he’s a human, then smirks a little and says, “Your friend’s name was Cas? That’s an odd name.” This tickles me deep down, in places I didn’t even know where ticklish. Sometimes it’s the little things, you know? Based on Dean’s face, he is less amused than I. I suppose I get it.

Dean pulls up to a convenience store and tells Cas to wait in the car. As he’s looking at the beers in the fridge (was he seriously making a beer stop on the way to curing Sam? Not appropriate, Dean! There will be time for beer when your brother isn’t being tortured by the devil), he sees the reflection of a guy coming towards him and immediately pulls out his demon-stabbing knife and kills him. Lucky for Dean, this guy does turn out to be a demon, but I think Dean stabbed him before he could possibly have known that for sure. Maybe Cas had a point about Dean killing a lot of people! Another demon pops up and gets stabbed from behind. Dean says, “Emanuel, you son of a bitch,” which I think is an odd reaction to have when someone just saved you from a demon, but whatevs. The second demon falls to the ground, revealing that it’s not EmanuCas at all! It’s Meg! The demon! Surely you all remember Meg! God is she boring. I’m already pissed that they’re throwing Meg into what could have been a perfectly good episode, when she cements her place as my least favorite character ever by quipping, “Emanuel. Yeah, not so much.” Bleh. Don’t worry, guys, she has the perfect capper, “Dean, Dean, Dean. You got some ‘splaining to do.” WHAT THE HELL DOES THAT MEAN? On top of everything, Rachel Miner’s performance is really weird in this episode. Her voice is very soft and monotonous. It’s almost like she’s just not acting at all. Did Robert Singer say something that offended her right before they started filming, so she decided to passive-aggressively ruin this episode? Also, she pronounces “Poof” weird. Not with a long “oo” sound, like in “boot” but with a short one, like in “foot.” It’s subtle, but boils my blood none the less. Dean and Meg have an argument about something that I am too bored to pay attention to, but at least they’re talking about Crowley. Crowley! Meg says something about how they have to keep Castiel away from Crowley and adds, “Imagine Crowley getting his hands all over helpless little amnesia-Cas.” As much as I do want to picture that, I am offended that she has tried to coin the term “amnesia-Cas.” A moment later, Dean also refers to Cas as helpless. I’m glad we’re agreed that losing his memory has rendered him powerless, despite the fact that he’s obviously still powerful and that’s the whole reason he’s here. I understand the temptation to think of Cas as helpless, though. He’s just so cute! Oh, who’s the cutest little angel! Yes you are, Castiel!

Dean brings Meg out to the car. Cas points out that, uh, this bitch is a demon, and Dean tells him nah, it’s cool, we’re just gonna work with this demon. Oh, Dean, the only demon you should be working with is Crowley. The two of you can work together to get your clothes off. I’m sorry, everybody! You don’t know what Crowley does to me! But I know what Crowley’s gonna do to Dean. Hey-o! Okay, I’m done. Sorry. Sorry. Anyway, Meg is part of the team, for now, I guess because she’s going to… help… kill… Crowley? I don’t know. Seems like it’d be easier to just kill her. The three of them get into the car (without any beer) and resume heading to the hospital.

Back at the hospital, Haunted Girl tells Sam about her dead brother, and he breaks the news that it’s a ghost. Casper’s Sister tells Sam her brother was cremated, but there’s a little bit of his blood on the bracelet she has on. Sam tells her that’s good. She rightfully asks how that can possibly be good, but Sam changes the subject by asking, “Is there any chance in hell you’ve got a lighter?” This whole ghost plot is very straightforward. I mean, I’m sure realistically the Winchesters would come across straightforward ghosts who don’t have anything fancy going on a lot, but usually the show only bothers to show us the cases that are exceptional for some reason. But I guess Sam is probably too tired to handle anything other than a run-of-the-mill ghost expulsion right now.

Back in the Impala, Cas points out that they seem to all be sitting in uncomfortable silence. Dean tells him Meg has that effect on people, and Castiel sympathetically says, “That must be difficult.” Cas, you are just too precious. I want to eat you up. Not in a scary Leviathan way. Meg patiently explains that it was a joke. Cas says, “Oh,” then pauses for a second, then chuckles a little. Dean looks irritated. Come on, Dean. I know you’re mad, but cute is cute.

At the hospital, Ghost Girl re-enters Sam’s room with a lighter. The way disheveled Sam perks up and eagerly says, “Nice! Where’d you score that?” reeeally makes him seem like a crackhead. Sam and his new gal pal start to make a circle out of salt, but Lucifer blows on it and wrecks it, so Sam tells the girl she has to do this by herself. Okay, I really don’t understand this whole Lucifer situation. He doesn’t really exist but he can still affect outside objects but only if Sam is using them? Whatever, my head hurts. It probably makes sense. Inside their salt-circle, Sam and his friend go through a pretty standard ghost-exorcizing scene. He burns the bracelet and luckily her brother didn’t have any DNA deposited anywhere else, because that does the trick and he disappears. When I write an episode of Supernatural, the ghost is going to be tied to this mortal plane by a a donation he made to a sperm bank. That’s my idea! No one take it! Let this recap stand as legal evidence! With Ghost Boy gone, Sam tells Human Girl she needs to get out of here. She does, and the doctor and orderly from earlier rush into Sam’s room a minute later, see the salt circle and the lighter, makes the obvious(?) judgement that he’s doing something terrible, and pin his arms behind his back. We fade out, then fade in on Sam laying on his bed with a doctor shining a flashlight in his eyes and asking how he feels, along with a stupid Lucifer making dumb comments about Sam’s soul and what have you. Sam glances at his fingernails, which are super messed up. When did that happen? I don’t recall him having to claw his way out of any coffins recently. The doctor says if they give Sam any more medication he may overdose, so they need to start considering surgical options. I tense up immediately as I picture the end of One Flew Over the Cuckoo’s Nest. “Ooh, lobotomy?” Lucifer asks hopefully. What a dick. The doctor says, “Don’t worry, we’re not talking about a lobotomy,” as Sam’s eyes lose focus and we fade out again. I’m getting real real worried about this kid.

Dean, Castiel and Meg pull up outside the hospital, which is being guarded by a ton of patients and doctors. “Damn it, demons,” says Meg in the least emphatic voice you can possibly imagine. I would sound more distraught if I looked into a bag of Starbursts and said, “Damn it, only yellow ones left.” I swear this is not a part of Meg’s character. Something is going on with this actress. Her face looks more swollen than usual on top of everything else, so maybe she just got back from the dentist and is still kind of woozy?

Castiel asks how they’re supposed to get through all these demons. “Yeah, Dean, how could we possibly blast through all of those?” Meg asks, giving Dean a significant look. Dean pulls her aside so the grown ups can talk without Cas there and the two have a little argument about whether they should let Cas try to work his angel mojo. I am surprised at how anti-Cas-doing-his-thing Dean is, especially since Sam’s welfare is on the line. Dean seems to be concerned that attempting to get his angel on might injure or kill Cas. I don’t know why he thinks that, but I am relieved that he still cares about Castiel’s well-being. Cas has heard all of this, and in retrospect it was naive of Meg and Dean to think he wouldn’t. I mean, they’re only standing a few feet away from him, and the guy’s a damn angel. Castiel says, “I take it we know each other.” Meg interjects, “Just a dollop.” Maybe Meg-actress took her performance down a notch to protest how crappily her character is written this episode, because goddamn is that writing dumb. Cas asks them to tell him who he is and assures them he’ll be fine. Dean replies, “You don’t know that. You barely know yourself, I’ve known you for years.” It warms my heart that protecting Castiel is still a priority for Dean. I wouldn’t be able to stay mad, either. Look at Cas’s little face! Always helpful, Meg just spits it out and tells Cas he’s an angel and that he and Dean used to be best friends. Castiel is smarter than he looks! He puts two and two together and unhappily asks, “Am I Cas?” Meg tells him to stop blubbering and go kill some demons. Cas says he doesn’t remember how. Dean assures Castiel that it’s probably just like riding a bike, and Castiel says he doesn’t know how to do that either. This expression is such a filthy lie, anyway. I’ve forgotten how to ride a bike and had to relearn like three times. Cas starts smiting some demons, and somehow that jogs his memory about everything. We see some quick flashbacks, one of which shows Crowley smirking at the camera, looking dashing as always. Oh Crowley, my love. If only you weren’t fictional and the devil and I wasn’t a girl, we could make each other so happy. Now Castiel remembers everything. Bummer for him. Good time for a commercial break!

Back from the break, Castiel’s lip quivers and for a moment it looks like he might cry. I want so badly for him to cry! Come on, Cas. Just a single tear, that’s all I need. I will never understand the rush I get from watching the men of Supernatural weep, but I don’t need to understand it. I just need more tears. More. MORE. MORE!

Anyhoo, dry-faced and angry, Castiel wants to know why Dean didn’t tell him what he was earlier. It seems like he feels saving Sam is his duty and I feel certain he’s going to then rush inside and save him, but instead he says, “I shouldn’t be here,” and turns to go in the opposite direction. I don’t understand you, Castiel! Dean tells Meg to stay put and follows him.

Sam is strapped to a gurney and is being wheeled into another room as he starts to regain consciousness. I am 100% positive he did not consent to any surgery! What the hell is happening? The orderly from earlier puts a plastic thing in Sam’s mouth to stop him from biting through his tongue as he hooks him up to an electroshock therapy machine! Oh god no! This is going to get worse before it gets better! Orderly guy says they normally keep the voltage on that thing turned way down, then cranks it up high. I am so anxious at the possibility of Sam getting electrocuted and my jaw is clenched so tight that I wish I had one of those plastic things in my mouth.

Dean chases after Cas and tries to convince him to come back. Suddenly, Dean is very plaintive and Cas is very angry. When did this dynamic switch?! I guess Dean can only stay angry at you if you don’t express even the tiniest amount of remorse, say because you have no memories. The conversation between the two of them really gets away from me. Cas says, “I deserved to die. Now I can’t fix it, so why’d I even walk out of that river?” Dean replies to this series of words by saying, “Maybe to fix it.” Suddenly, Dean gets this “Eureka!” look on his face. “Wait!” he says as he opens the trunk of the Impala and takes out… Cas’ bloody old trench coat! That he apparently saved all these months! And that he is now offering to Cas for some reason! He solemnly holds the coat out to Cas. For a second I expect Cas to say, “Well, uh, that’s just a coat, Dean. It doesn’t really change anything.”

We’ll have to find out if Cas had the heart to tell him later, because now we’re back inside the hospital where my nightmares are being realized. Sam is twitching in pain as the scary orderly electrocutes him. BUT NEVER FEAR! Cas appears (in his trench coat, I might add) and smites that motherfucker good. He shuts off the machine, takes the electric crap off of Sam’s face, and tells him he never should have “broken Sam’s wall” (whatdoesthatmean) and he’s here to make things right. Cas strikes the traditional angel-mojo pose with his hand on Sam’s forehead, then frowns when he realizes it’s not working. A shot from Sam’s POV shows that when Sam looks at Cas he only sees Lucifer. What an unspeakably horrible fate, to never be able to see Castiel’s beautiful face. “You’re not real,” Sam says exhaustedly. “Oh, Sam, I’m so sorry,” Cas says sadly. Great time to think about some products you might like to buy!

Still laying on the gurney, Sam sees Lucifer reading “The Three Little Pigs” to him. Yikes. Cas tells Dean that basically Sam’s brain is totally wrecked and this isn’t something he can just make disappear, but it suddenly occurs to him that he may be able to transfer it. He assures Dean that he’ll be fine, a weird thing to say, I think, given what he plans to do, then sits down next to poor, crazy/possessed Sam, who flinches in fear since, you know, everybody just looks like Lucifer to him. Cas gives a heartfelt apology that is lost on Sam, who just sees Lucifer in a dumb doctor costume, then puts his hand on Sam’s forehead and works some magic. Red glowy stuff flows out of Sam’s head, through Cas’ arm and into his head. Suddenly alert again, Sam says, “Cas, is that you?” Tragically, instead of seeing Sam, Cas sees Lucifer, who says, “Hello, brother.” Aw, man, I forgot those two are technically brothers. I’m sorry everyone in your family sucks but you, Cas. Presumably thinking about all the wedgies, noogies and Indian burns he’s in for, Cas reacts with terror and backs away until he’s pressed up against the wall, looking like the saddest puppy to ever appear in one of those Sarah McLaughlin ads.

Outside the hospital, Dean tells Sam that they can’t leave Cas alone and can’t take him with them, since so many demons are after him. There is a brief shot of Cas sitting on a bed in hospital scrubs, staring into space, and my heart breaks into a million tiny little pieces. I hope I don’t die and come back as a ghost, because somebody’s going to have to find all those damn pieces in order send me on to the next life. Then it occurs to me, there’s no way they can leave Castiel like this for too long. I mean, the man will never age, and I think after he’s been looking thirty-five for thirty years or so the hospital staff might start to get suspicious. Dean mentions that all the demons who know Emanuel is actually Cas are dead now, to which Sam replies, “Except one.” Sam then points out that teaming up with Meg is a really dumb idea. Dean insists that it’s not, for reasons that are still unclear to me.

Back inside the hospital, the doctor from earlier is conducting a job interview. “Why do you want to join our staff?” he asks. The camera pans around and IT’S MEG THAT HE’S INTERVIEWING! Buh-buh-buh she’s not a registered nurse! She says that she just wants to watch over the patients. “Welcome to the team, Nurse Masters,” says the doctor, shaking her hand. As the credits role, I am beyond pissed that Supernatural went out on this note. I suffer from a condition where the last thing I see in an episode of Supernatural is the only thing I can think about until the next episode airs, you see, and now I’m gonna have Meg in my brain all week! I guess this still isn’t as bad as the time I had Lucifer saying, “Good morning Viet Nam,” in my brain all winter break, but things could be better.

So, is anybody ever going to tell Cas’s wife where he went?

EDIT: It has come to my attention that this post as I first published it was completely free of lists. This is, of course, a travesty, but I’m here to make things right. With each recap I post, I’m going to include a list that in some way ties in with the episode. Since “The Born-Again Identity” heavily featured Meg and Lucifer, two of my very least favorite Supernatural characters, I thought I’d use this week’s list to get on record which of the show’s other characters I could do without.

The 10 Worst Recurring Supernatural Characters

10. Agent Victor Henricksen – The basic idea of an FBI agent who’s set on capturing the Winchesters sounds like it would be fun to watch. If only the show had taken this character in more of a Peter Burke from White Collar-type direction and less of an entertainment-sucking direction, we’d be in business.

9. Ruby – This girl spent a long, long time delivering lines that seemed like they were supposed to be clever but that actually just fell flat. Then she died and it seemed like we were rid of her, but then she came back in the body of an even worse actress (sorry, Gen!) and really outstayed her welcome. At least she’s good and dead now!

8. Raphael – Honestly, I don’t really remember anything about Raphael’s personality or stance on any issues. I do remember that every time he popped up on screen, I thought, ‘Yay! Bathroom break!’

7. Gordon Walker – All this dumb jerk does is say stuff about how monsters are bad and how Sam’s evil. One of those things I knew already, the other one is untrue. Both are sentiments commonly expressed by a wide variety of characters in the Supernatural universe. A truly useless character.

6. Uriel – I don’t care what Castiel says, this guy is not the funniest of all the angels. He’s fourth AT BEST, and this is not a funny crew.

5. Lucifer – I think I’ve already said my piece about this guy.

4. Meg Masters – Ditto.

3. Eve – Probably the worst season villain in a show that, for all its good qualities, comes up with some awful season plots. I still don’t know what she was. Was she supposed to be Eve of Adam and Eve fame, or was she some other Eve who could be referred to as the “Mother of All?” I know I just asked that question, but I truly do not care about the answer. In fact, I never want to think about Eve again.

2. Samuel Campbell – This guy started out as a standard gruff dad type, then came back from the dead for some reason and started trying to bring Mary back to life for some reason. Samuel is just one more reason that season 6 needn’t have bothered.

1. Alastair – I mean, come on, his voice alone makes  watching him an ordeal. He sounds like a bad Marlon Brando impersonator with a cold. For all we know, he tortures his victims solely by reading to them out of the phone book. I know an hour of that’d be enough to drive me insane.

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The 20 Best Supernatural Episodes, pt 2: #10-1

10. “A Very Supernatural Christmas” (3×08)

A young Dean tries on the necklace Sam presumably shoplifted from the powerful-religious-items section of Claire’s.

You got chipper pagan gods in Christmas sweaters torturing the Winchesters. You got flashbacks to Sam and Dean’s subpar childhood Christmases. Most importantly, at long last, you got the origins of Dean’s mysterious necklace. (Spoiler alert: Sam gave it to him as a Christmas present. That’s it. I don’t think we’ll ever know why it has weird God-finding powers. Oh, well. Who cares. Everything to do with God in this universe is super boring anyway, am I right?) This also has a poor little baby Sam asking, “Is that why we never talk about Mom?” to which baby Dean replies, “Shut up! Don’t you ever talk about Mom! Ever!” before storming out the door. I thought Dean was overreacting in the pilot when he responded to Sam saying their mother was dead with, “Don’t you talk about her like that!” Now, however, I have to give him credit for at least not getting enraged at their mere mention of a mother. He’s really grown. Give him another ten years and maybe you’ll be allowed to point out that his dead mom is dead without getting punched in the face. All in all, this episode is great because it accomplishes the three main jobs of a good Supernatural episode: it’s scary, it’s heartbreaking, and it’s funny.

9. “Ghostfacers!” (3×13)

Ed and Harry introduce their pilot in a very Andrew Wellsian fashion.

This episode is set up as the self-produced and unsolicited pilot for a reality series starring amateur ghost hunters Harry Spangler (Travis Wester) and Ed Zeddmore (A.J. Buckley.) I always dig it when this show shakes it up, and focusing on two ancillary characters like the Ghostfacers while relegating Sam and Dean to supporting cast territory is about as shaken up as things can get. There’s a good amount of bumbling silliness, but shit also quickly gets real and I get choked up every time I watch this damn episode. To Corbett, King of the Impossible!

8. “Changing Channels” (5×08)

Allow me to ask the obvious question: why are they transporting four bouquets of flowers?

The Trickster is a great idea for a character because  he gives the show license to do ANYTHING.  This show can already get away with doing most stuff, but throw the Trickster in there and, hey, why wouldn’t Sam get trapped inside an ad for genital herpes medication? The first couple of Trickster episodes didn’t really make the most of him, but this episode, which shows Sam and Dean getting thrown into various TV programs, totally nails it.

7. “Season 7, Time for a Wedding!” (7×08)

Dean insists that Becky should have asked his permission before marrying Sam. Season 8 spoiler: Dean is Sam’s father. Season 9 spoiler: Sam is a girl.

Finally, the on-again, off-again Sam and Becky tie the knot, causing Samky shippers everywhere to squeal with delight while also nervously wondering, What will the show be about now that the central couple has gotten together? You guys, I am really funny. All deadpanning aside (hilarious though it may be), this episode features the triumphant return of Supernatural superfan Becky Rosen (Emily Perkins), who through nefarious means has made Sam fall in love with her. As my roommate pointed out, this is about 90% the result of magic and 10% the result of Sam being super agreeable. This episode also features noted greatest guy in the world Crowley (Mark A. Sheppard) harshly scolding a crossroads demon for fucking with his precious Winchesters. I may be paraphrasing here.

6. “Monster Movie” (season 4)

It sure was nice of Mr. Burns to invite the Winchesters to his place in PENNSYLVANIA.

This episode is in black and white and is all about classic monster movie villains killing residents of a small town in the spookiest-state-in-the-union Pennsylvania, making for the worst Oktoberfest ever. It’s wacky and quirky, but ultimately emotionally resonant, too, with a villain who kind of reminds me of Abed from Community. This episode also has Dean bizarrely insisting that he came back from Hell a virgin. I don’t get why he’d think that or why he’s so excited about it, but hey, if Dean wants to be pumped about losing his virginity for a second time I guess I’ll let him have this. He has so little, you guys. It’s pretty much just this and turducken sandwiches.

5. “Bad Day at Black Rock” (3×03)

Losing his shoe in a sewer grate transforms Sam into Charlie Brown. Does anyone else find this moment super relatable?

Look, I’m a simple man with simple needs. Sometimes I just want to see Sam win the lottery and find a gold watch, then trip and fall down and lose his shoe in a sewer grate. This episode is such a fun romp that it’s easy to forget that, oh yeah, Sam might die soon if they don’t sort all this out.

4. “What Is and Should Never Be” (2×20)

Dean rejoices in the fact that his mother is alive again,  then presumably yells at himself not to talk about her like that.

Alternate universe! Alternate universe! I love the main Supernatural universe, so I don’t know why I’m always so pumped when the show briefly lets me out of it. I guess I just want Xhibit to put some escapism in my escapism. This episode has Dean cast into a universe where he and Sam aren’t hunters and their mom never died. Since it’s a perfect world, their dad is still dead. Was that too harsh? I shouldn’t speak ill of the dead, I know. Even the fictional dead. John Winchester just makes me so mad! Hug your damn sons, John!

3. “The Monster at the End of This Book” (4×18)

I am forever grateful that we don’t live in a world where Sam looks like Fabio.

This episode marks a turning point in Supernatural‘s history: in it, the Winchesters discover they are the subjects of a series of novels entitled, yep, Supernatural. This could so easily have been a shark-jumping moment, but the hyper-meta plot is well-executed, entertaining, and actually makes perfect sense within the context of the elaborate season plot, so this show’s sharks are still firmly planted on the ground. This is Chuck Shurley’s (played by Rob Benedict) first episode, and thank God for that, am I right? What a cutie pie.

2. “Sex and Violence” (4×14)

Nick Munroe worms his way into Deans heart by exploiting his biggest fetish: blind faith. “Oh, the murderer is a siren like from Greek mythology? ‘Kay!”

You know how sometimes you watch a TV episode that has a twist ending, and then you go back and watch it again and given all the information the first half totally doesn’t make sense? Not the case here! This is one well-constructed episode that features Jim Parrack as Agent Nick Munroe, quite possibly my favorite single-episode Supernatural character, as well as the lovely Maite Schwartz who, based on this and her role in the Community episode “Early 21st Century Romanticism,” seems to be the constant target of adorable behavior by cute boys. And don’t worry, pervs of the world: this is not only a great episode, it’s also the one I watch when I need some Supernatural me-time. Y’all know what I’m talking about. Hey-o.

1. “After School Special” (4×13)

Cherish these times, Dean; soon you won’t be able to keep things away from Sam by holding them over your head.

Depicting an 18-year-old Dean (portrayed sexily by Brock Kelly) and a 14-year-old Sam (portrayed adorably by Colin Ford) this episode shows us a little more of the Winchesters’ unhappy childhood, as well as Dean teaching a gym class in knee-high socks and shorts. It also ends on one of the cutest/saddest reaction shots in all of Supernatural history. As an added bonus, the lovely Candace Accola guest stars.

I’m always interested in keeping my finger on the pulse of the Supernatural fan community, so please: what’s everyone’s favorite episode? I bet no one will respond to that. I mean, Supernatural‘s not exactly popular.

Screen caps from Home of the Nutty.

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The 20 Best Supernatural Episodes, part 1

So, I’ve been watching Supernatural kind of a lot lately and, frankly, it’s becoming kind of a problem. Things were bad enough when I could only watch old episodes once in a blue moon when they reran on TNT or I scraped together the thirty bucks to buy a season box set off Half.com. Then, seasons 1 through 6 showed up on Netflix instant. I have not left my apartment in months. I can no longer remember a time when I considered seasoning of foodstuffs to be salt’s primary function. When I heard that this week’s episode is about Sam going crazy and getting institutionalized, I felt a deep sense of anguish, as though I’d just heard terrible news about someone I deeply care for.

It has become clear to me that Supernatural is becoming an addiction, and I desperately need to take a break from it before it consumes me.

Instead of doing that, I spent the last week perfecting my list of the 20 best Supernatural episodes! Enjoy!

Screencaps are from Home of the Nutty, except where otherwise noted.

The 20 Best Supernatural Episodes, pt. 1: 20-11

20. “The French Mistake” (episode 6×15)

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Misha Collins does not understand what this angel assassin is talking about. That makes two of us, Misha.

Between soulless Sam, shiftless post-Apocalypse angels and a bizarre season villain who may or may not be Biblical first lady Eve, season six is a pretty rough watch. At least the uber-meta “French Mistake,” in which Sam and Dean are hurled into the real world, is here to ease the pain. Misha Collins’ performance as himself is unbelievably cute, and we get some nice insight into how intolerant  of diversity Dean his when he expresses his disgust for the names “Misha” and “Padalecki” as well as for the fact that Supernatural isn’t even filmed in America. At least Jensen Ackles is from Texas, right, Dean? As a bonus, there is a moment where Sam points out that in this world he and Dean aren’t brothers. Dean’s reaction to this is to smile to himself in a way that makes me suspect Supernatural fully supports the icky things its fans think about the Winchester’s relationship. Phew.

19. “The Real Ghostbusters” (5×09)

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Two Supernatural fans live the dream of carrying on a relationship with someone who also only wants to talk about Supernatural. Sigh.

Let’s take the meta-dial down a few notches. No, not all the way to zero. What are you, stupid? This episode about Sam and Dean attending a Supernatural fan convention at one point has a distraught Dean telling a couple of LARPing Supernatural fans that they shouldn’t want to be him because his life is horrible. I feel shamed every time I witness this speech. I’m so sorry, Dean! I don’t mean to add to your burdens by loving you! If you forgive me, please give me no sign. Thanks, man.

18. “Sam, Interrupted” (5×11)

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Dean gets out of this pickle the same way he’s certainly gotten out of countless others: by showing a girl his penis.

Who doesn’t like watching institutionalized Winchesters as they slowly allow their deepest fears to consume them and drive them mad? The answer to that question is me! I don’t like that! It hurts my heart! This episode is still real good though!

17. “Home” (1.09)

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Missouri has had enough of Dean’s bullshit. That makes one of us, Missouri.

This episode has the Winchesters heading back to their now-haunted childhood home and consequently experiencing lots of feelings. Hurray! They enlist the help of a psychic named Missouri (Loretta Devine) who dotes on Sam and seems to sort of hate Dean. As funny as it is to watch Missouri pick on Dean, I’m confused as to why she doesn’t understand that Dean is a perfect person. Well, she is friends with notorious Dean-under-appreciater John Winchester, so maybe that has something to do with it. Or maybe she heard some of the harshly anti-psychic thoughts in Dean’s head. What’s Dean’s problem with psychics, anyway? At least they don’t all have names like “Misha” and “Padalecki,” am I right?

16. “Folsom Prison Blues” (2.19)

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These two getting arrested has got to be like Christmas morning for these cons, right? Photo from Oxoniensis.

I love episodes where Dean gets to pretend to have a normal life or a few days. This episode does an extra cute variation of that, since we get to see just how much Dean would thrive in prison. Good for him! I would have bet money that he’s way too pretty to make it. Good for him, proving me wrong like that.

15. “Wishful Thinking” (4.08)

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Dean gets one wish and wastes it on a sandwich. It tastes good, but the turkey’s a little dry. Oh, God! The turkey’s a little dry! WHY??

This is a relatively lighthearted and funny episode about a wishing fountain that actually grants wishes. It also has an unattractive nerd pointing out to Sam and Dean that they are good-looking jerks and so obviously can’t understand where he’s coming from. Somebody needed to say it. Those boys don’t know how lucky they are.

14. “In My Time of Dying” (2.01)

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Look, I know this is a serious situation, but I’ll take bare Dean chest wherever I can get it.

This episode has it all: Daddy issues, Dean stripped down to but a single layer, Sam enduring uncalled-for mockery from his brother, a powerful supernatural being admitting that Dean is very cute. A great episode all around.

13. “Yellow Fever” (4.06)

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Yes, Dean’s scared of everything at this moment, but being afraid of a giant snake is just good common sense. They flout natural law by having no eyelids, legs or ears and yet still being successful predators! God does not want them to continue to exist, but they do it anyway! Perhaps the caption of a Supernatural screencap is not the best place for my thoughts on snakes. I just hate them so much.

Dean catches a ghost-caused disease that makes him terrified of everything, consequently making my heart melt every time I watch this episode. My favorite part is the conversation that clarifies that Sam didn’t catch the disease because it only affects bullies.

Sam: Basically, they were all dicks.

Dean: So you’re saying I’m a dick?

Sam: No, no, it’s not just that. All three victims used fear as a weapon. Now this disease is just returning the favor.

Dean: I don’t scare people.

Sam: Dean, all we do is scare people.

Dean: Okay, well, then you’re a dick, too.

Sam: Apparently I’m not.

12. “The Rapture” (4.20)

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Work those sexy hands, Jimmy. What is this show doing to me?

It took Supernatural awhile to figure out what they were doing with Castiel. He’s such an endearing character now that it’s easy to forget he started life as some boring jerk who was always talking about how rad God is and chiding Dean for not understanding the gravity of the situation. Ugggh. So, given his bleak beginnings, the first time I saw “The Rapture,” which is all about Jimmy, the man whose body Castiel took over, I cared a lot more about Jimmy than I ever had about Cas. This episode is a huge bummer since the whole thing is just watching the life of the nicest guy in the world fall apart through no fault of his own. Let this be a lesson to all of you! Christianity doesn’t pay! Also, I don’t usually fetishize hands, but goddamn do Misha Collins’ hands do it for me in the boiling water scene. They’re just so… handy. Mmm.

11. “The Curious Case of Dean Winchester” (5×07)

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“I like the cut of your jib.” This gambling leprechaun’s saying what we’re all thinking.

Now, I don’t usually condone episodes that cut down on the amount of time I get to spend looking at Jensen Ackles, but for this one I’ll make an exception. Dean loses fifty years of his life to a hunky Irish poker player who I initially (racistly) assumed was a leprechaun, but who upon closer inspection is merely a witch from Ireland. I am 3/16 Irish, so I get a free pass on stuff like this! Those are the rules! Consequently, Dean spends the majority of this episode as an old (but still rakishly handsome) man, played by Chad Everett, who does just about the finest Jensen Ackles impression I’ve ever seen.

Soon, my pretties, I’ll post episodes 10-1. While writing this, I noticed that my writing tends to be very Dean-centric. I will try to have more fair and balanced reporting in the future. In the meantime, I suggest we all rewatch “The Born-Again Identity,” if only for the long overdue Misha Collins ass shot.

Actually, on second thought:

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